How web-based shows will change your view of mainstream media.
PART 1: Do We Really Have To Stop Now?
A little while ago, I wrote a column called
Raining On The Gay Parade, in which I implied (see also: flat-out stated) the gay community has a lemming*-esque reaction to anything pitched as gay – movies, TV, books, music and community representatives, regardless of their actual worth. Then I ranted that we should be a more discerning, demanding audience, and finished by complaining about
The L Word. You know - the usual.
What I didn't do, was suggest alternatives to the crap we're dealt, which makes me about as useful as a penis in a dyke bar. And I never, ever, ever, want to be compared to a penis. Never.
Never.
So today I'm posting the first in a three-part series on kick-ass alternatives. (This one's mostly for the ladies, but if you want to send me a link for the boys, please do so.) Since I'm such an up-to-date, tech-savvy child of the social-networking revolution, I'll be talking to you about New Media. In this case, the Wonderful World of Webisodes.
Never heard of a webisode? You'll be hearing the word a lot, so if you're not down already with netspeak, you'd best get acquainted. Web-based "TV" shows are the way of the future. Episodic series' pumped straight to the interwebz, without the need for mainstream ratings, TV executives or advertising dollars, means these shows can match and eclipse the content of anything "gay" you've seen on your TV for a very long time.
I'm not going to give you a history of Webries, or a definitive list of what's out there, but I do want to talk about three particular shows: Two that are so unmissable, so awesomesauce that I cream myself, and one that is most notable for its ground-breaking creation. So here we go.